This is a tribute to a man I cared deeply about, who chose to take his own life.

Written 28/03/2014

From the depths of the water the bubbles curl back up around her toes. She plunges down and catches one between her rugged fingers. Crushes it.

The sun’s shining high today and its rays enlighten the translucent submarine world; a world at peace with itself, never pausing to consider or hope. Simply content in its basic beliefs. That world never reminisces or remembers, does it – it looks forward, always, looks to that sun for guidance and to its dark interior for love.

Slowly but surely, the bubbles trickle back up to the surface. There’s only so much she can do to stop them, sadly. They hope too much. They dive up when she wants nothing more than to be held down. They bring with them pale emanations of an unforgivably better place.

Slowly but surely, she steps out of the water and gazes at the dozens of unseeing eyes behind her. Anticipatory, confused, they’re all waiting; they don’t understand what she’s doing, why she’s taking so long. They don’t understand how horrifying and punishing the sun feels today. How inadequate. Inappropriate.

Their glazed pupils suggest some kind of regret, some kind of thwarted hope. ‘Oh, he had so much potential’. Fuck that. That’s why they don’t see what she’s doing. The relevance of potential in death is something I’ve never understood.

Slowly but surely, she unscrews the lid. Gazes down at the grey emptiness, and one last time at the bubbles. So many of them, so many she can’t destroy no matter how hard she wishes. So much plastic happiness that’ll go on no matter what.

One last sigh. One last breath; oh, but if only it really were. If only they’d shared that last breath together.

The ashes conjoin themselves to the gas, beautiful grey plastic wraps. One last time they struggle to reach the surface before quickly realising they have no hope; if only the same could be said of her.

She turns around and marches slowly back up the rugged dunes. People everywhere, hands trying to grab at her, fingers clasping at her skin. They keep looking up at the sun as if it changes something. Keep saying this is the best day it could have been carried out. That he would have been happy.


If he would’ve been happy he wouldn’t have bothered to kill himself, would he.


The Past is a Foreign Country: They Do Things Differently There

This was written as an assignment a couple of years ago and is one of my proudest achievements to date. If you could take the few minutes to read it I would be eternally grateful ❤


  My maman died when I was 18. They didn’t tell me though. They said she went on a trip, a long trip, and that she’d be back one day, but they wouldn’t tell me when, or where she’d gone, which was strange. I always thought it was strange, so I would always ask them when she’d be back, but they would never tell me, and they would always tell me to be patient, and to be quiet, and that maman would be back soon enough. It was Uncle Philippe, he’d say ‘Shut your fucking mouth and wait’, so that’s what I did. I shut my fucking mouth and then I sat down and I waited and that waiting lasted eight whole years, which is a long time. But when I was 26, I remember, it was two days after my birthday, actually it was yesterday, when I was 26 my Uncle Philippe told me to sit down again but this time it was because he wanted to tell me something important, he said. “Pierre”, he said, “I need you to listen very carefully. I need to tell you something about your mother”. And then he told me maman was dead, gone, that he was a liar and she was never going to come back because when people are dead that just doesn’t happen. They’re gone forever, you see?


A large brick house lost in the French countryside, 1973. Two blonde women are chirping away merrily in the kitchen as an unwelcome airplane roars overhead, sawing clouds in half in a fit of anger. The smell of onions and tobacco wafts through stale, claustrophobic air and lands gently on the nostrils of a frail black-haired figure curled up on a couch, his bony hands hugging bruised, grotesque arms. His staggered breathing strikes through the stench of food with brutal force and dark eyes flutter open.

A piercing wail flickers across the room and the two women scurry out of the kitchen.

‘Monique, what the hell is wrong with you? I told you to get the meds – the meds, the fucking meds, he needs them or he gets like this, see? For fuck’s sake – ‘

The taller woman grabs a nearby bottle of pills as Monique runs back to the kitchen, searching frantically for a glass of water that splashes all over the carpet as it’s rushed back to the couch.


Maman put the two blue pills in my mouth and gave me the water and told me to swallow, so I did that, because I know the two blue pills help when the world disappears and the other people come out. Dr. Dreiser says they’re like magic pills, they take all the other people away and they replace them with nice faces, faces that are pretty to look at, like maman’s face, and Monique’s face. It never feels like they will, it always feel like the other people have taken maman with them, but I have to be quiet and swallow the two blue pills and then everything is better, and then it’s time to take the one orange pill and go to sleep.


The figure slumped back onto the couch, limbs flailing sideways like a puppet. Vacant eyes detached themselves from a face forced into abysmal calm and quiet and the two women let out a sigh of relief as empty pupils gazed out the window unseeingly. The staggered breathing turned to hushed anticipation –


I opened my mouth and screamed because I didn’t know what else to do, because the shadows were back and they were getting closer and because maman and Monique had disappeared and they had joined them, or they had been taken away, and now it was shadows sitting on the couch with me and looking at me and planning how to hurt me. And the shadows were talking to me too now, they were telling me to calm down and breathe and to remember that I’d taken the two blue pills, and so things would get better soon, the two blue pills always help, don’t they? And so then I remembered I’d taken the two blue pills and I shouldn’t have, I shouldn’t have because now the shadow knew it had gotten its plan right and I was trapped and it was all over, I had survived so far but now they had trapped me and it was all done. And I could feel a hand on my hair and I didn’t know what to do but I didn’t like it. I didn’t like it until it started playing with my hair back and forth, back and forth, back and forth until the shadow was gone and maman’s face was back and I couldn’t really see anything else anymore because everything had turned grey. But Dr. Dreiser said it’s normal for the two blue pills to do that, they turn everything grey and they make it hard to see anything and they also make it hard to hear anything but that’s better than seeing or hearing the shadows, you see?

“Jesus. What the hell was that? I thought these were supposed to stop the crises. Fucking pisstake”.

Monique shrugged.

“There’s no such thing as a miracle cure. They make him shut up after a while, it’s better than nothing”.

She waved her hand in front of the boy’s eyes and smiled as she was met with catatonic silence.

“See? We should count ourselves lucky”.

She got up and drifted towards the kitchen.

“Laure? Come on, the onions”.

I watched maman and Monique get up and I could tell I would be okay because they wanted the shadows to go away and they’d made the shadows go away, they knew the shadows were there and wanted to hurt me so they’d made them leave and now everything was okay, I couldn’t see the shadows and I couldn’t hear the shadows so it didn’t matter that maman and Monique were leaving, because the shadows were gone.




I woke up on a couch once, not the couch at home but another couch, another couch that I didn’t like really because it wasn’t the one at home and maman wasn’t there. There was a man asking questions but I don’t really know what questions because it was one of those times when everything was grey and it was hard to see and it was hard to hear, so I think maybe I’d taken the two blue pills but I didn’t remember taking them, which happens sometimes, and I don’t like when it happens but as long as the shadows aren’t there it’s okay. And then there was Uncle Philippe and a room where we were sitting and he was telling me to shut my fucking mouth and I sat in that room for a very long time, for eight years, and eight years is a long time. And sometimes the shadows would come to hurt me, well not sometimes, a lot, and they came more and more if I was in the room for a long time, which I was, I was there eight years, so the shadows were almost always there, but Uncle Philippe still gave me the two blue pills and the one orange pill and then afterwards there were also two blue pills in the morning and then two blue pills at night, and the shadows stopped coming a bit after that but I don’t really know anything because I couldn’t see and I couldn’t hear, except when the shadows were there.


The funeral was held on July 12th, 1973, as the boy sat on his bed staring at the varying tones of grey decorating his blanket. They buried the two women together amongst a desolate murder of crows lighting up the freshly-mowed grass with hopeful tunes. Still so young, such a waste, or so they said; and yet the funeral was witnessed by unseeing, underground eyes alone. Eventually, as the eight years dragged by, the gravestones were repainted with the harsh brush of aging weeds and the crows found another home to embrace. Forgotten by all but the dead, the two women hugged the dirt which now sung them their cheeriest lullabies.

Philippe, their brother, took custody of Pierre and flattered himself in thinking he had saved the boy’s life. It was either him or the hospital, after all, and everyone knew those hospitals were nothing more than fronts for bogus illegal experiments. Whereas he offered Pierre a whole room, an actual bed, and three meals a day, and he never forgot to give him his pills; granted, that was more for his personal relaxation than for Pierre’s own benefit, but so what? It came down to the same thing in the end. Pierre had some kind of brain problem, he was crazy, or something like that. That’s what the shrink had said anyway – he’d called it ‘schizophrenelia’, not that that helped Philippe in the slightest – he was a man of science, not of words.


“Schizophrenia. It’s a mental disorder. I’ll explain what this means exactly and how you can treat it, but it’s safe to say Pierre won’t be living a normal life for a while still”.

“What, like he’s retarded you mean?”

“No, no, but his brain doesn’t function like normal people’s do. He doesn’t understand basic concepts like death, love, time…he gets paranoid, he has hallucinations, he can’t function properly. It’s very debilitating”.

“Fucking retard”. Philippe shook his head in disgust, and nothing but the smidgen of respect he had for the doctor stopped him from spitting on the floor. “He yells all the time, is that part of your schizo thing?”

“Yes, that would fit. But don’t worry sir, a number of treatment options are available to stop the crises – if you choose to take care of Pierre, that is. Most of my clients would rather refer such people to psychiatric hospitals. Too much responsibility. You don’t want him ruining your life, he’ll always be in your way, he’ll stop you from achieving your goals. Would be a damn shame considering he doesn’t have the first clue what’s going on around him”.

Philippe lifted his eyes from the ugly painting they had been angrily firing lasers at. It really was a damned ugly painting – his retard nephew could have done better.

“Bullshit. With all due respect, doctor”, Philippe sneered, “I’m man enough to take care of that kid no matter how retarded he might be. My sisters cared about him, fuck knows why, and I at least owe them that. I don’t give the first fuck about Pierre, but I gotta do it for the non-retards at least. So you can take your medical opinion and shove it up your –“.

He proceeded to being thrown out of the doctor’s office with an interminable prescription and a note which read “I’m doing this for Pierre, not for you!”

So he liked to think he was a saviour of sorts. And what did it matter that the kid still didn’t know his mother was dead? The shrink had clearly said he didn’t know what time was, or what death was for that matter, so it wouldn’t help to tell him in any case; best to just keep him in his room and give him his meds on time, he seemed alright enough that way.

But despite these rational assurances, guilt and remorse ate away at the man and as the years dragged by, the reproachful voice at the back of his head grew louder until one night, his alarm clock glowing a fuzzy red 4:31am across the room, he took it upon himself to climb the creaky stairs to the boy’s cage and shake him out of his medicated stupor.


There was a shadow in my room when it was dark, I was supposed to be asleep but I wasn’t really, I was just pretending to be asleep because the shadow was touching me and shaking me and trying to get me to get up so I knew the shadow must be there to hurt me and so what I did was pretend to be asleep because I thought if I was asleep the shadow would leave. And then it did leave because my plan to pretend to be asleep worked, and then suddenly it was all light in the room and the shadow was gone and Uncle Philippe was there and he looked really mad and he was yelling something but I don’t know what because when it’s just been dark it’s hard to really see or hear anything because I think it’s the two blue pills before bed that do that. But then he told me to shut up and sit down so I did that because I know that when Uncle Philippe says to shut up and sit down I better do it otherwise he hurts me, and I don’t like to get hurt, it doesn’t feel good, it feels like the shadows are back. So I shut up and sat down and he said “Pierre”, he said, “I need you to listen very carefully. I need to tell you something about your mother”.


Dead. Uncle Philippe says that means that the trip maman went on, well she’s not coming back from it. But actually it’s not really a trip, well we don’t know, she hasn’t gone anywhere but maybe she has but we don’t really know that, we can’t know until we’re dead as well but then we don’t really know what dead means so I don’t understand what Uncle Philippe is saying but what I do understand is that I can’t see maman again because Uncle Philippe hurt me until I understood that because he says it’s important for me to know, but I’m not sure why, but if I ask why then he’ll hurt me more so I can’t ask. But maman is gone for good, forever, and I don’t want her to be gone for good and forever so I scream because I don’t know what else to do, because maman is the only one who protects me from the shadows and what will I do if maman doesn’t come back? And I asked Uncle Philippe that and he said I’d managed to survive the shadows for eight whole years, and eight years is a long time, so I’ll be fine, clearly I don’t need maman, but I said I do, but he didn’t listen, he never listens, he just told me I needed to take more pills but I said that I already took them and he answered it doesn’t matter, take more pills and be quiet and go back to bed.


There’s this thing that they call the past, and I don’t really understand what it means, like dead, I don’t really understand what that means either. But Uncle Philippe said the important thing to know about the past is that it’s over and it never comes back. He said it’s sort of like a foreign country: they do things differently there. So in the past maman was here and maman kept the shadows away and we lived in that big house and the planes always flew over that house and woke us up when it was dark out. But now, when it’s not the past, he says it’s the present, I don’t know why, but that’s what he says, in the present we don’t do things like we did in the past and everything is different so now I live in that room and the shadows are here a lot but so are the two blue pills so they make the shadows disappear most of the time, and most of the time I’m in bed and I can’t really think of much, but Uncle Philippe says that’s good because it means I can’t think of the past, because if I thought of the past I would be sad, but I don’t know what sad means either. All I know is that I need to shut up and stay in bed.


And so as weeds reclaimed their soil and gravestones turned to unwanted memories, so did the boy, trapped between a fictive world of shadows and a real world of opaque hatred. He compartmentalised time as little boxes of images floating around in his brain, mental photographs of his mother to the left because he’d been told to view things from left to right and he’d been told her story was over. In the middle loomed his uncle, red rays emanating from all extremities and various tones of fiery colours erupting from his eyes; and to the right the box wallowed in empty misery, because no one had ever bothered to tell him about the future. The boy had created his own vision of the past, he had conceived his own notion of the present, but no one had ever imagined that he would need to know about the future. The past was the only foreign country, after all; the box to the right was shaped to contain nothing but his uncle’s spirit. So he watched the box to the left, he reached out to it, lifted his fist in agonising hope, clenching at the air in front of his eyes and praying that one day, his fingers would wrap around something he could hold on to.

And as for death, well, death wasn’t real. There was no such thing as what his uncle had called ‘gone forever’, and the shadows were proof of that; once the stuff of nightmares, they had evolved into the comforting embrace of the boy’s mother, loving him in their own, ever-present way, because the shadows were both in the left box and in the middle box, and the shadows brought his mother back.


A Tribute to Music

Photo taken in London.

Written 25/09/2013

So it begins.

Wailing, heart-wrenching and soul-piercing; flowing out of your open lungs and into the air above you, capturing all that crosses its path, eventually seeping back into your mouth as you take one long, deep gulp and cough slightly as its ashes enter your throat. The deep impressions of your chest are enough to wake it again, so it continues on its way, enrapturing all that presents itself before you; you carry it as a companion and loving burden, as a torturous friend and captivating enemy. Its violence and anger propel you forward and unfold the universe before your gazing, gaping, amazed eyes. This moment is precious, it’s the one where the stars float out of you and your pupils become the playground of intertwining galaxies. You smile and the note strikes strong, following the curve of your lips and tumbling into the organized darkness that shines from you. You stretch out your hand and stumble amongst the suns, your fumbling fingers grasping awkwardly at the light emanating from your heart. The music floats knowingly on.


Of The Purple Violets

Written 22/02/2013

Of the purple violets dribbling down
The window
He only remembered

Of the translucent tears
Coloring the cheeks
He perused the decades
He saw them all.

Of the words twice choked up
And the happiness swallowed
Of the liquid coughed down
And shrugged away quickly
Of the lead on the chest
And the fire in the ears
And the heart that pounds, and that pounds, and that pounds –

And the lights that go off
When he thinks it’s all done
And the dread when the
Tears are reborn

And when it doesn’t end.
And when the steps extend and extend and extend.


Beauty is everywhere

I wrote this post and related to this song long before I ever realised how magical the world can be. I took this picture in Byron Bay, Australia – and I struggle to see an ugly world since.

Written 07/02/2013

Ticking away the moments
That make up a dull day
Fritter and waste the hours
In an off-hand way

Kicking around on a piece of ground
In your home town
Waiting for someone or something
To show you the way

Tired of lying in the sunshine
Staying home to watch the rain
You are young and life is long
And there is time to kill today

And then the one day you find
Ten years have got behind you
No one told you when to run
You missed the starting gun


And you run and you run
To catch up with the sun
But it’s sinking

Racing around
To come up behind you again

The sun is the same
In a relative way
But you’re older

Shorter of breath
And one day closer to death

Every year is getting shorter
Never seem to find the time

Plans that either come to naught
Or half a page of scribbled lines

Hanging on in quiet desperation
Is the English way

The time is gone
The song is over
Thought I’d something more to say

Home again
I like to be here
When I can

When I come home
Cold and tired
It’s good to warm my bones
Beside the fire

Far away
Across the field
Tolling on the iron bell
Calls the faithful to their knees
To hear the softly spoken magic spell…
Time lyrics © T.R.O. INC., Universal Music Publishing Group, Kobalt Music Publishing Ltd., EMI Music Publishing, Sony/ATV Music Publishing LLC, Warner/Chappell Music, Inc.



Written 31/01/2013

I thought I’d post something I wrote a few months back for a writing competition – the prompt was ‘Love’. My style has changed somewhat since then but regardless, I do still like it.

The heat is bubbling in my veins. Sweet and poisonous, it oozes through my body, trickling out of a little cut here or there. Stinging me. Every inch of my skin is on fire, but it’s a good fire, it’s a good fire and I encourage it by thinking about it, obsessing over it, shutting my eyes and seeing the heat run through them, because that way I make sure I don’t stop feeling it. I’m outside, but the buildings all around me seem meaningless, a mixture of idiocy and hate, the one tied up in the other, never letting go. I don’t see the buildings really – I see the fiery red in the veins of my eyelids because it’s burning, it’s so hot and it’s so good. I don’t even want to see the buildings. My target is a bit further, I still need to walk a while before getting there. But I can’t forget the heat, or it’ll all have been for nothing. Yes, yes the pain, the burning, the visceral assembly of overwhelming emotions, that’s what I need right now. At least until I get there, until I get there and do what I have to do, and then it’ll be done, and the heat will be gone, it’ll get cold again, too cold, just like the other times. I just need to get there, quickly. One foot in front of the other, again, and again, and again, but never thinking about it too much, because if I think about it too much then the heat will go away. The people near the buildings, they’re meaningless to me too, going about their pointless and redundant lives, pretending that they’re happy, settling with what others imposed on them and convincing themselves that they have the life they’ve always wished for. But I know what they really want, because I’ve found it. I’ve found what we all want, and it’s the heat, and the pain, and then to be released from it.
Flashing images dash through my mind as the heat rises. With each pang a new memory jumps into my brain, blinding me, hiding the buildings and the people and reviving the heat. A face, a face keeps coming back, and I know I’ve seen that face before, I know that I knew that person well, but I just don’t know who that person is, because it doesn’t matter anymore, all that matters is the heat. And yet the face keeps coming back, nagging me, reminding me of some long-lost part of my life that I can’t bring back, and that I’m not even sure I want to bring back – and then suddenly, it’s gone, it’s gone for good and the heat dies down a bit, so I think about it, relentlessly, as my nails dig into my palms and bring the heat pouring out.
But then I see the face. It’s standing in front of me, a few meters away. Its symmetry is horrifying, the sheer beauty of it brings my blood to boiling point and suddenly, I don’t know what’s happening anymore, but I know the heat is now gone and the long-awaited cold is pouring over me, and the face isn’t so beautiful now, with the blood all over it. I guess I just gave it the heat. And the dagger that’s in my hand, well, it’s filling me with ice. The heat, the overwhelming and destructive unrequited love, well it’s left me, it’s gone, and the face won’t make me feel that love again.

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